Transitions between musical characters are where a performance is most likely to lurch instead of turn. Laura Metcalf shows how to practice and reinforce these "seams" in Saint-Saëns's Allegro appassionato so that every shift feels deliberate.
Interpreting the Allegro appassionato requires that the coordination of the two hands be very precise, and so this is a focus of this lesson. We learn methods for practicing the two hands in such a way that they work perfectly together in tandem. Metcalf also shows us tricks to practice up-bow staccato, a virtuoso technique that elevates the performance of this work greatly.
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