Ask a cellist whether vibrato should sit above or below the note and you'll get a debate. Robert DeMaine's answer is both. In this clip, he shows how control, resonance, and the overtones of the string above determine where your vibrato actually belongs.
Robert deMaine, principal cello of the Los Angeles Philharmonic, walks through his daily control exercises, focusing on bow control, intonation, and vibrato. Drawing from his own routine, he demonstrates how simple, carefully chosen exercises can build consistency, balance, and reliability, while encouraging a thoughtful approach to daily practice that supports long term technical freedom.
Explore 1,000+ in-depth lessons taught by GRAMMY winners, Juilliard professors, and world-renowned performers, covering everything from timeless repertoire to advanced technique and artistry.
"I don't regret for a minute having spent the money on the membership. There's something for every musician on tonebase – I recommend you give it a try."
