Course Syllabus

<p>Scales with Complex Bowing Patterns</p>

<p>In this lesson, we learn about methods of applying bowing patters and techniques to our scales. Professor Greensmith demonstrates the legendary Galamian scale system and applies it to cello. We also study collé bowing, scales on one string, and the art of bow distribution.</p>

<p>Vibrato, the Left Thumb, and Cello Scales</p>

<p>In this lesson, we learn how scales can help every aspect of our playing-- from beauty of tone, to continuous vibrato, to expressive possibilities. Lelchuk teaches us that vibrating up high during scales is crucial to building the continuity of the phrase. We also learn that we should not shift in "blocks" with "jerky" motions, but rather use our left thumb to find fluidity. We are also encouraged to not become too wedded to one fingering system, as in music, we must be flexible with our fingerings and learn to adapt to what the music requires.</p>

<p>Mastering New Fingering Systems</p>

<p>Breathing is a fundamental part of cello playing. Our breaths should align with the movements of our bow, and our motions should come organically from the hips. For this lesson, Aaron demonstrates why our exhales are longer than our inhales and much more. Perhaps the most foundational and efficient system for scale fingerings, Aaron's system is an excellent place to begin. He demonstrates major and two types of minor scales, as well as intervals and practice strategies.</p>

<p>Introduction to Cello Scales</p>

<p>In this lesson, we are given an introduction to cello scales. Everything in music is based on scales. It is important to grow to love scales to understand how the instrument works. Even if you are new to cello, you can do scales! Start with one octave at first.Professor Moses shows us various scale systems from different great cellists, such as Klengel and Duport, which form the basis for modern scale systems by Antonio Janigro, Leonard Rose, Ivan Galamian, and Richard Aaron.</p>