Taught by renowned cellist
Jonah Kim
In this course, virtuoso cellist Jonah Kim takes us through one of the most important pieces in the cello repertoire: the monumental Arpeggione Sonata of Franz Schubert. From its famous melodies to its daunting passagework, the piece is a musical and cellistic tour de force. Kim shows us his secrets to practicing vibrato, bowing styles, shifting, and much more. One of the biggest challenges in this movement is finding a long legato line despite the massive technical challenges, and Kim explains most of all we need not be afraid of the piece-- we must embrace it.
<p>I. Allegro moderato</p>
<p>In this lesson, we explore the first movement-- the longest-- of the piece. Jonah Kim shows us in detail how he shifts, practices shifts, and how he creates a long line. We also learn about playing up very high on the fingerboard, and methods to get comfortable doing this. We also study how to practice intonation, which is a particular challenge in this movement.</p>
<p>I. Allegro moderato (Performance)</p>
<p>In this lesson, we explore the first movement-- the longest-- of the piece. Jonah Kim shows us in detail how he shifts, practices shifts, and how he creates a long line. We also learn about playing up very high on the fingerboard, and methods to get comfortable doing this. We also study how to practice intonation, which is a particular challenge in this movement.</p>
<p>II. Adagio</p>
<p>In this lesson, Kim shows us many ways in which we can explore the sound world of Schubert. This movement, which at its heart is a classic Schubert song, needs deep care and a sense of simplicity. As Kim explains, the undulating movements of the piano part help show us the tempo, and remind us to not be exaggeratedly slow.</p>
<p>III. Allegretto</p>
<p>In this lesson, we explore the final movement of the work, which alternates between sing-songy, brooding, dramatic, and serene. Finding the many moods of this movement is a challenge because the piece demands so much of us technically. But Kim reminds us that keeping the music in mind first can show us that often we have more time than we think-- and we can fill the time and space in ways that let the music breathe and let us navigate around the fingerboard.</p>
<p>II. Adagio & III. Allegretto (Performance)</p>
<p>In this lesson, we explore the final movement of the work, which alternates between sing-songy, brooding, dramatic, and serene. Finding the many moods of this movement is a challenge because the piece demands so much of us technically. But Kim reminds us that keeping the music in mind first can show us that often we have more time than we think-- and we can fill the time and space in ways that let the music breathe and let us navigate around the fingerboard.</p>
Click here to download the course workbook PDF and see the full syllabus →Click below to access hundreds of exclusive cello courses, available only on tonebase.
Unlock Course →Jonah Kim, who appears regularly as cellist worldwide, is known for his virtuoso command of the instrument and his searing tone.
read full bio →Preview our curated selection of courses below. With lessons covering fundamentals, technical training, style and interpretation, you won't find a more thorough and enriching learning experience anywhere else.
Our members rate us at 4.8/5 stars. Here’s how a few of them transformed their cello skills since joining tonebase.
“Instead of scouring the internet for hours for performance tips and tricks, I now have access to a wealth of high-quality content from renowned artists at my fingertips!“
“Sincerely speaking, a few months with tonebase help me solve many issues I have had with my fingers for years if not decades.“
"I don't regret for a minute having spent the money on the membership. There's something for every musician on tonebase – I recommend you give it a try."
