Course Syllabus
<p id="">Introduction</p>
<p id="">Beethoven's music signaled a new direction and a new musical language. Gratz provides an overview of the opportunities for technical development in this sonata as well as how Beethoven's sense of drama permeates this work.</p>
<p id="">I. Allegro</p>
<p id="">Gratz discusses tension, thematic exchange with the piano, sforzandos, and provides an in-depth examination of the collet stroke.</p>
<p id="">II. Adagio molto espressivo</p>
<p id="">The second movement requires the violinist to connect closely with the pianist. Gratz provides some tips for strengthening this connection.</p>
<p id="">II. Adagio molto espressivo</p>
<p id="">The second movement requires the violinist to connect closely with the pianist. Gratz provides some tips for strengthening this connection.</p>
<p id="">IV. Rondo: Allegro ma non troppo</p>
<p id="">In their lesson on the Rondo, Gratz and Kim talk about the contrast between dark and light, how to practice pizzicato, and more.</p>
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