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tonebase Violin Course

Sound Production: Fundamentals and Application

Taught by renowned violinist 

Filip Pogady

In this course, violinist Filip Pogady takes you through the intricacies of sound production. Covering fundamental principles, delving into advanced applications, and dissecting their real-world implementation on repertoire, this course illuminates the practical and creative processes of creating the desired sound on your violin.

  • checkmark icon
    Difficulty: 
    all-levels
  • checkmark icon
    Duration: 
    1
     hours 
     hour

Course Syllabus

<p>Fundamentals of Sound Production</p>

<p>Within this course, Filip Pogady explores the three pivotal factors influencing the sound of the violin. Additionally, he delves into the fundamentals of ergonomics, teaching how to manipulate these factors seamlessly along the entire length of the bow.</p>

<p>Advanced Concepts of Sound Production</p>

<p>Within this course, Filip Pogady explores advanced concepts of sound production, focusing on the nuanced distinction between what the player hears and what the audience perceives. He guides navigating the limits of the instrument, offering insights on how to broaden the spectrum of achievable sounds.</p>

<p>Sound Production Applied in Repertoire</p>

<p>In this course, Filip Pogady illustrates the art of challenging conventional rules. Through an exploration of repertoire, he dissects his sound production, revealing the specific methods he employs to craft the desired sound.</p>

<p>Sound Production Applied in Repertoire</p>

<p>In this course, Filip Pogady illustrates the art of challenging conventional rules. Through an exploration of repertoire, he dissects his sound production, revealing the specific methods he employs to craft the desired sound.</p>

Click here to download the course workbook PDF and see the full syllabus →
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meet YOUR INSTRUCTOR

Filip Pogady

Violinist Filip Pogády has been praised by the press for the "beauty of his tone", “lightning-like virtuosity” (Russkoe Slovo) and his "commanding performances" (The New York Times).

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Filip Pogady

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