Course Syllabus
<p id="">Introduction</p>
<p id="">Violin pedagogue Demetrius Constantine Dounis (c. 1894-1954) is renowned for his prolific output of technical literature for the violin. Dounis's student David Nadien taught Nancy Zhou, who provides this expansive look at a variety of right-hand exercises taught by both Dounis and Nadien.</p>
<p id="">Vowel Sounds</p>
<p id="">Which part of the bow moves when you press down it – the stick or the bow? Nancy Zhou begins her explanation of how to produce vowel sounds on the violin by answering this question at several different points along the bow (hint: it’s not the same everywhere). She continues by helping us find a natural right-hand position, explaining how the bow is like a see-saw, and providing exercises from the Dounis collection to develop legato string crossings.</p>
<p id="">Consonant Sounds</p>
<p id="">Consonant sounds, as opposed to vowels, are created via the technique of collé, meaning “glued.” Nancy Zhou provides introductory exercises that lead up to those from the Dounis collection. She explains both the downbow and upbow variants, including how we can move up the bow by playing a downbow. By the end of the lesson, you’ll be well on your way to generating a staccato.</p>
<p id="">Consonant Sounds</p>
<p id="">Consonant sounds, as opposed to vowels, are created via the technique of collé, meaning “glued.” Nancy Zhou provides introductory exercises that lead up to those from the Dounis collection. She explains both the downbow and upbow variants, including how we can move up the bow by playing a downbow. By the end of the lesson, you’ll be well on your way to generating a staccato.</p>
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