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Course Syllabus

<p id="">I. Allegro ma non troppo</p>

<p id="">Huang discusses the movement's constant change in structure and character. She examines and analyzes the different techniques featured in the music and how to utilize them for musical expression.</p>

<p id="">II. Adagio ma non troppo</p>

<p id="">Delve deeper as Huang takes on a journey to unfold the beauty in the second movement. She emphasizes the importance of feeling the pulse, reacting to Dvorak's harmony changes, and connecting with the orchestra.</p>

<p id="">III. Finale: Allegro giocoso ma non troppo</p>

<p id="">In the last lesson of this course, Huang explores the electrifying third movement. She discusses its tricky rhythmic structure, folk-like character, and the repeating theme. In addition, Huang shares her advice on overcoming the technical difficulties in the movement, such as articulation, shifts, and bow stroke.</p>

<p id="">III. Finale: Allegro giocoso ma non troppo</p>

<p id="">In the last lesson of this course, Huang explores the electrifying third movement. She discusses its tricky rhythmic structure, folk-like character, and the repeating theme. In addition, Huang shares her advice on overcoming the technical difficulties in the movement, such as articulation, shifts, and bow stroke.</p>

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Sirena Huang

Gold Medalist of the 11th Quadrennial International Violin Competition of Indianapolis, Sirena Huang is among the most sought-after violinists of our generation. She has been featured as a soloist with numerous orchestras, including the New York Philharmonic and Cleveland Symphony Orchestra, and has performed in prestigious venues such as Berliner Philharmonie, Carnegie Hall, and Lincoln Center.

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Sirena Huang

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