Course Syllabus
<p id="">I. Allegro ma non troppo</p>
<p id="">Huang discusses the movement's constant change in structure and character. She examines and analyzes the different techniques featured in the music and how to utilize them for musical expression.</p>
<p id="">II. Adagio ma non troppo</p>
<p id="">Delve deeper as Huang takes on a journey to unfold the beauty in the second movement. She emphasizes the importance of feeling the pulse, reacting to Dvorak's harmony changes, and connecting with the orchestra.</p>
<p id="">III. Finale: Allegro giocoso ma non troppo</p>
<p id="">In the last lesson of this course, Huang explores the electrifying third movement. She discusses its tricky rhythmic structure, folk-like character, and the repeating theme. In addition, Huang shares her advice on overcoming the technical difficulties in the movement, such as articulation, shifts, and bow stroke.</p>
<p id="">III. Finale: Allegro giocoso ma non troppo</p>
<p id="">In the last lesson of this course, Huang explores the electrifying third movement. She discusses its tricky rhythmic structure, folk-like character, and the repeating theme. In addition, Huang shares her advice on overcoming the technical difficulties in the movement, such as articulation, shifts, and bow stroke.</p>
Click here to download the course workbook PDF and see the full syllabus →