Course Syllabus
I. Allegro ma non troppo
Huang discusses the movement's constant change in structure and character. She examines and analyzes the different techniques featured in the music and how to utilize them for musical expression.
II. Adagio ma non troppo
Delve deeper as Huang takes on a journey to unfold the beauty in the second movement. She emphasizes the importance of feeling the pulse, reacting to Dvorak's harmony changes, and connecting with the orchestra.
III. Finale: Allegro giocoso ma non troppo
In the last lesson of this course, Huang explores the electrifying third movement. She discusses its tricky rhythmic structure, folk-like character, and the repeating theme. In addition, Huang shares her advice on overcoming the technical difficulties in the movement, such as articulation, shifts, and bow stroke.
III. Finale: Allegro giocoso ma non troppo
In the last lesson of this course, Huang explores the electrifying third movement. She discusses its tricky rhythmic structure, folk-like character, and the repeating theme. In addition, Huang shares her advice on overcoming the technical difficulties in the movement, such as articulation, shifts, and bow stroke.
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