A fast run can fight you even when your fingers are doing exactly what the page asks for. Watch how taking one note as an open string buys the left hand time to shift, and comes out cleaner than the printed fingering would.
Augustin Hadelich has performed many of the most challenging works in the violin repertoire and worked out different ways to tackle the obstacles. Here, he shares four tips and tricks that have helped him along his journey with specific examples from the repertoire.
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